The arrangement is obvious, the drawing absent and the handling bland and nerveless. Kent’s limitations as a painter are clearly seen in this work. His painting was never up to the standard of his other work, something seized upon by rivals, such as Hogarth, envious of his success. His first Royal commission was to decorate Kensington palace, which he gained in 1722 thanks to the support of Lord Burlington in 1739 he succeeded Jervas as Principal Painter to George II. ![]() ![]() After his years spent training in Italy (1709-19), William Kent became the leading architect and designer in England and the artist best placed to benefit from aristocratic and royal patronage.
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